{"id":1068,"date":"2021-11-01T16:57:36","date_gmt":"2021-11-01T15:57:36","guid":{"rendered":"https:\/\/panpanteatro.com\/sin-categorizar\/review-by-frank-padron\/"},"modified":"2021-11-01T16:57:36","modified_gmt":"2021-11-01T15:57:36","slug":"review-by-frank-padron","status":"publish","type":"post","link":"https:\/\/panpanteatro.com\/en\/news\/reviews\/review-by-frank-padron\/","title":{"rendered":"Review by Frank Padr\u00f3n"},"content":{"rendered":"<p>Theatre critic Frank Padr\u00f3n reports on <strong>El Amo<\/strong>&#8216;s performance at the Havana International Theatre Festival in Cuba Escena, the portal of Cuban performing arts.<br \/>\n<!--more--><\/p>\n<blockquote><p>&#8220;Given the mute nature of the staging and the facial mono-expression implied by the mask, gesturality, the maximum use of space and the effective combination of light and sound effects are necessary, something that the prolific artists of Panp\u00e1n achieve to the full&#8221;.<\/p>\n<footer><strong>Frank Padr\u00f3n<\/strong>, Cuba Escena<\/footer>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Theatre critic Frank Padr\u00f3n reports on El Amo&#8216;s performance at the Havana International Theatre Festival in Cuba Escena, the portal of Cuban performing arts.<\/p>\n","protected":false},"author":1,"featured_media":873,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[37],"tags":[],"class_list":["post-1068","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews"],"acf":[],"jetpack_featured_media_url":"https:\/\/panpanteatro.com\/wp-content\/uploads\/el-amo-13-panpan-teatro.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/panpanteatro.com\/en\/wp-json\/wp\/v2\/posts\/1068","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/panpanteatro.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/panpanteatro.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/panpanteatro.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/panpanteatro.com\/en\/wp-json\/wp\/v2\/comments?post=1068"}],"version-history":[{"count":0,"href":"https:\/\/panpanteatro.com\/en\/wp-json\/wp\/v2\/posts\/1068\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/panpanteatro.com\/en\/wp-json\/wp\/v2\/media\/873"}],"wp:attachment":[{"href":"https:\/\/panpanteatro.com\/en\/wp-json\/wp\/v2\/media?parent=1068"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/panpanteatro.com\/en\/wp-json\/wp\/v2\/categories?post=1068"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/panpanteatro.com\/en\/wp-json\/wp\/v2\/tags?post=1068"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}