{"id":1077,"date":"2020-10-28T15:42:36","date_gmt":"2020-10-28T14:42:36","guid":{"rendered":"https:\/\/panpanteatro.com\/sin-categorizar-fr\/critique-de-la-andaluza-creativa\/"},"modified":"2020-10-28T15:42:36","modified_gmt":"2020-10-28T14:42:36","slug":"critique-de-la-andaluza-creativa","status":"publish","type":"post","link":"https:\/\/panpanteatro.com\/fr\/actualites\/critique\/critique-de-la-andaluza-creativa\/","title":{"rendered":"Critique de La Andaluza Creativa"},"content":{"rendered":"<p>Le magazine culturel num\u00e9rique <strong>La Andaluza Creativa<\/strong> assiste \u00e0 l&rsquo;avant-premi\u00e8re d&rsquo;<strong>El Amo<\/strong> \u00e0 la Fundici\u00f3n de S\u00e9ville et nous laisse une excellente critique.<br \/>\n<!--more--><\/p>\n<blockquote><p>\u00ab\u00a0Un travail d&rsquo;horlogerie suisse, avec des touches d&rsquo;humour et des personnages pleins de vie et de naturel (&#8230;). Les masques nous pr\u00e9sentent des personnages attachants, qui nous sont familiers, et au cours de la pi\u00e8ce nous pouvons parfois d\u00e9celer le ton de leur voix, m\u00eame s&rsquo;ils ne disent pas un seul mot. Le travail d&rsquo;acteur est excellent, ce type de langage demande une grande implication corporelle, une pr\u00e9cision des mouvements qui n&rsquo;est pas facile \u00e0 atteindre (&#8230;). Cette pi\u00e8ce est pleine de petites perles qui font rire et surprennent\u00a0\u00bb.<\/p>\n<footer><strong>Elena Bola\u00f1os<\/strong>, La Andaluza Creativa<\/footer>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Le magazine culturel num\u00e9rique La Andaluza Creativa assiste \u00e0 l&rsquo;avant-premi\u00e8re d&rsquo;El Amo \u00e0 la Fundici\u00f3n de S\u00e9ville et nous laisse une excellente critique.<\/p>\n","protected":false},"author":1,"featured_media":840,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[38],"tags":[],"class_list":["post-1077","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critique"],"acf":[],"jetpack_featured_media_url":"https:\/\/panpanteatro.com\/wp-content\/uploads\/el-amo-fermin-2-panpan-teatro.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/panpanteatro.com\/fr\/wp-json\/wp\/v2\/posts\/1077","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/panpanteatro.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/panpanteatro.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/panpanteatro.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/panpanteatro.com\/fr\/wp-json\/wp\/v2\/comments?post=1077"}],"version-history":[{"count":0,"href":"https:\/\/panpanteatro.com\/fr\/wp-json\/wp\/v2\/posts\/1077\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/panpanteatro.com\/fr\/wp-json\/wp\/v2\/media\/840"}],"wp:attachment":[{"href":"https:\/\/panpanteatro.com\/fr\/wp-json\/wp\/v2\/media?parent=1077"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/panpanteatro.com\/fr\/wp-json\/wp\/v2\/categories?post=1077"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/panpanteatro.com\/fr\/wp-json\/wp\/v2\/tags?post=1077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}